We’re about to go into a second lockdown — Bill de Blasio announced Thursday he’s shutting down NYC schools as the COVID-19 numbers continue to increase — and I decided to put on You’ve Got Mail. A.K.A. the coziest movie ever made for this book-loving, October-is-my-favorite-month, NYC-based writer. And it’s the first time I’ve really noticed myself grieving, not the life I had, but more the life I want. The life I was subconsciously dreamed about and worked towards before the pandemic hit.
When we first went into quarantine back in March, my therapist was actually worried about how fine I seemed. She thought I was disassociating with the severity of what was going on and reverting back to my childhood self amid a traumatic event. “It’s because trauma feels like home to you,” she said in so many words. I spent more time reeling about that realization than I did about going outside every 10 days and not being able to see my friends and family.
She had me keep a journal so I could tap into my deeper, hidden emotions. After spending so much time working to access them, she didn’t want me to detach again. It’s not that I wasn’t aware of the enormity of what was going on, I read the news daily, watched Cuomo’s updates at noon and felt empathy for people directly affected by job loss or illness. But what was actually going on in my day-to-day life I did not hate and it seemed inappropriate to pretend to.
I was saving time not commuting everyday, I cooked delicious meals very night, I saved money not going to bars and I was reading books I never found time to before. Finally, my daily life felt under control, something I had always aimed to achieve as a confused, 20-something. To me, it seemed almost privileged to get worked up over not being able to see friends and family when people were truly in danger of losing their entire lives.
Of course, watching all T.V. made in pre-COVID times has been weird, seeing people in crowds, not wearing masks and hugging strangers. There are some scenes in You’ve Got Mail that really take the cake though. At one point the little girl Annabelle sneezes — openly! In a public place! — and Meg Ryan’s character offers her a handkerchief. Definitely not the most hygienic approach and I’m sure condemned by the CDC. Then, after the little girl uses it, Meg Ryan proceeds to manhandle it to show off and describe the meaning behind the embroidery. Can you even think of anything more dated in the times of COVID?
These super specific contexts aside, though, the big picture and entire mood of the movie served as a wake up call. It reminded me of all I was missing by being happy within my new super organized, controlled lifestyle.
The film is innately a product of its time, cemented in a long-forgotten world of dial-up where big box bookstores were the bad guy and Jeff Bezos hadn’t even converted his garage into an Amazon workspace. But seeing publishers, bookstore owners and writers crammed into an apartment covered in floor-to-ceiling mahogany bookcases was a reminder that before the COVID-19 pandemic hit, I was working towards something that the film romanticizes. Watching Meg Ryan pick up a pumpkin to put in her bookstore window brought to the forefront of my mind that homey relationship I’ve always felt with NYC and nowhere else.
Though I’ve only seen the movie a few times before this, Nora Ephron’s depiction of literary people in NYC was the stereotype I was daydreaming up for myself without even realizing it. It was a world where I’d be a part of respected circles as well as a regular in a neighborhood within a giant city. Though I didn’t know that this is what I was working towards, every time I got a little step closer to the updated (and realistic) version of it, I felt more and more like myself. When I wrote a play that people saw, it felt like the first time I created something just because I had to put something into the world. Sure, it was small scale, but not completely insignificant. When I moved to a Brooklyn neighborhood filled with brownstones and contemporary writers, I couldn’t help but fall asleep thinking about running into one of them at my favorite local bar.
Though it’s hard to tell exactly how badly the pandemic will affect these industries I aspire to be a part of — media, literature, small business, theater, etc. — talking to new friends in a small, single room bar is not something that will be happening anytime soon.
You’ve got Mail is quaint and niché both for all the right and wrong reasons. It’s a depiction of a super privileged, super white world that doesn’t exist for the majority of NYC residents. But it’s also a love letter to a certain snippet of NYC that fits for a small portion of people.
As I watched kids bob for apples (can you even imagine?!) at a street fair, I reminisced over the yellow and red leaves I took in during dusk walks around Clinton Hill. As Meg Ryan swapped out her pumpkins for fairy lights, I mourned the fact that I wouldn’t be sipping a martini in a cocktail dress at a twinkling midtown bar this holiday season. Now perhaps I’ll watch When Harry Met Sally to snap into reality how different this New Years’ celebration will look. Who knew all it took for me to discover my hidden feelings was a ‘90s Nora Ephron flick?
In the end, at least, I know it’s worth it. I may never achieve the life I pictured, but at least I know wearing a mask and staying at home is saving people. And who knows, maybe by the time we all come out of all this, I’ll become an important part of the new type of NYC. Hopefully a more inclusive and equally as cozy one.